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That's all I wished to do. My parents were designers and had a ready-to-wear company in Paris, so I grew up in the studio. The concept of working for movies was hard, so I truly had to defend it, however I did what I wanted. You constantly do what you desire, when you want, if you're determined enough to achieve it.

It was, for me, actually a dream come to life. I was a fan. I had actually read the books, and I enjoyed them. I remember having to protect them when I was on the BAFTA jury and, you understand, I loved "Harry Potter.""  harry potter  of Azkaban" has something very special. [It's] the first dark one.

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It benefited little kids, but a teen would never ever go and watch that movie, so we wanted to make it cooler. We required to make the kids appear like genuine "next-door" kids. I altered the uniform. I started doing colors, then I wished to [usage] a [wizard's bathrobe], which was actually attractive something they would place on and feel immediately special.

I put a collar inside [so] that you might see the houses and the diversity of the kids in a huge crowd. Then there's the ties. I made them silk due to the fact that I thought they made a better knot. Then I used substantial, real wool for the sweatshirt, which was a dreadful concept.

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But it was a problem for the wash. I demanded wool for [" The Prisoner of Azkaban"] and after that the year after, we added a bit of [polyester] I did a different model of trousers, since the kids were starting to [establish] and you couldn't have just one shape for everybody.

Then I did the Quidditch uniforms, which were [a lot of] work. I wished to utilize nylon; I wanted to use far more of a rugby or Football aspect. The Quidditch [bathrobes] were amazing very, very, very gorgeous, however very light. It was 4 months of work ... on top of developing the rest of the characters, it was very intensive.